Italian Wine

Great wines from Italy


Sunday, October 28, 2012

Fratelli Paradiso Potts Point

This article is from "An Affair with Italy" and is about a great Italian restaurant and its owners in Potts Point Sydney

 

''I turn to Enrico... "Enrico what do you bring to the table?". Enrico: "Nothing much really." The boys jump in protesting. Giovanni: "that's not true. If the restaurant was to have a face it would be Enrico... Enrico has a great understanding of people - he can talk to an envelope!''




What is it about Fratelli Paradiso that makes this Sydney restaurant so alluring? For years I have walked down the main street of Potts Point and witnessed new restaurants opening with hopeful smiles, only to find themselves shutting their doors a year or two later. Eateries and businesses come and go. But Fratelli Paradiso endures. It is an establishment. It’s moody lighting and the slightly aloof Italian waiters draw a very loyal, sophisticated Eastern suburbs crowd. More often than not I will see a well known actress walk in and greet the Fratelli boys as if they were family. There are politicians, the arts crowd, the rich, the beautiful and then of course normal people, like me.
So sitting down with the Fratelli boys – brothers, Enrico and Giovanni Paradiso, and their best mate Marco Ambrosino – the first thing I ask them is “what’s the secret?”.

Giovanni (affectionately known as Johnny): “We understand what it means to be a true restauranteur. We are front of house led, and it is all about our customers. As soon as someone walks through that front door they are greeted, they are served, they are waited on – they are completely spoilt.”
Enrico: “We are just waiters, successful waiters. That’s the mistake people make. All of a sudden they think they are a restauranteur which means they don’t have to be a waiter anymore, but really good restauranteurs have waiter emblazoned across their forehead 24 hours a day. We were lucky enough to be taught by some of the best restauranteurs in the world.”
I discover that the boys never intended on becoming “the place”. They had very modest beginnings in the backstreets of Carlton and Brunswick in Melbourne. They didn’t have much growing up. Their cousins always had better houses, better cars, better everything. Johnny remembers having a dilapidated old Fiat while their cousins drove around in a brand new Chrysler. They admit that their father wasn’t much of a business man, but what he did instill in them was an ability to live for the moment. “It gave us a real sense of spirit and the ability to enjoy things for what they are,” says Johnny.
Enrico and Johnny started out with a restaurant in Melbourne. At age 23 Marco came to work for the brothers but after a year and a half they went their separate ways. The Melbourne restaurant was sold and the brothers relocated to Sydney to eventually open Fratelli Paradiso.
“When we came to Potts Point it hadn’t been gentrified. We were the only thing open at night. We had no clue about the hot areas. We weren’t bound by any parameters of what people were expecting. We lost our virginity (in a sense) and it was liberating,” says Johnny.
When the boys opened their restaurant doors in Sydney the dining scene was archaic – nobody knew about all day dining. It used to be that restaurants closed at 3.30pm and then opened again at 6pm. In the old days a true bistro would be open all day for people to eat.
Enrico: “We are set up so that it doesn’t have to be an event every time you go out. A restaurant has to nourish you and has to make you happy. That is the whole ethos of what we do.”
Six months after opening Marco came on board but this time as partner. I ask, “why Marco?”
Johnny: “Marco brings acumen to the business. If Marco wasn’t here, this place would have probably gone broke. He makes this place work. Someone could walk up to me and say ‘how much does the chef get paid?’ and I’ll say ‘I have no idea, talk to Marco.’ I have no business sense whatsoever. “
Marco: “I might be the business head but Johnny’s the creative force. He has an incredible passion for wine, and regardless of other people’s opinions, he can venture into unknown territories. Johnny has been one of the pioneers of natural wines in Sydney. He started that five years ago, before it was fashionable. He has an incredible knowledge for what kind of wine to drink at what time; for service; creation of the menu – we use the chefs purely as a vehicle for our ideas. A lot of the menu ideas comes from Johnny. Johnny is more poetic than the rest of us.”
Finally I turn to Enrico (who was half an hour late for our meeting): “Enrico what do you bring to the table?”
Enrico: “Nothing much really.”
The boys jump in protesting.
Johnny: “That’s not true. If the restaurant was to have a face it would be Enrico. People come to see Enrico.
Enrico: “That’s because I really don’t do much so I am always walking around saying ‘hi’ to everyone.”
Johnny: “Enrico has a great understanding of people – he can talk to an envelope!”
The three boys are close, Johnny and Enrico brothers and Marco their closest friend.
Marco: “We spend more time together than with our partners and kids. On occasions we get on each others nerves, but generally there is a healthy respect and we are best of mates.”
Enrico: “We are restaurant men, I admit that sometimes our partners do feel a little neglected. You are giving so much to the restaurant and to everyone that comes in so that when you go home sometimes there’s not too much more to give. That’s the contract they made when they got involved with restaurant guys. For better or for worse!”
The three of them agree that it is a super tough industry to be in – you work long hours, you drink too much, you push your body to the limits constantly. You have to have an incredible passion for food and wine to survive.
“And what about the egos?” I ask.
Marco: “Absolutely we have egos. No question about it, we fight. We fight about everything and anything. We never physically put hands on each other but we do have heated discussions. We are good at walking away and cooling off and then in about a week or two sorting it out. Usually one of us will say, ‘right I’m going to Europe for a week or two!’ When we come back together we realise that it is not important in the whole scheme of life. In the end we always look at each other and say ‘we’ve got it good’.
Giovanni (affectionately known as Johnny): “We understand what it means to be a true restauranteur. We are front of house led, and it is all about our customers. As soon as someone walks through that front door they are greeted, they are served, they are waited on – they are completely spoilt.”
Enrico: “We are just waiters, successful waiters. That’s the mistake people make. All of a sudden they think they are a restauranteur which means they don’t have to be a waiter anymore, but really good restauranteurs have waiter emblazoned across their forehead 24 hours a day. We were lucky enough to be taught by some of the best restauranteurs in the world.”
I discover that the boys never intended on becoming “the place”. They had very modest beginnings in the backstreets of Carlton and Brunswick in Melbourne. They didn’t have much growing up. Their cousins always had better houses, better cars, better everything. Johnny remembers having a dilapidated old Fiat while their cousins drove around in a brand new Chrysler. They admit that their father wasn’t much of a business man, but what he did instill in them was an ability to live for the moment. “It gave us a real sense of spirit and the ability to enjoy things for what they are,” says Johnny.
Enrico and Johnny started out with a restaurant in Melbourne. At age 23 Marco came to work for the brothers but after a year and a half they went their separate ways. The Melbourne restaurant was sold and the brothers relocated to Sydney to eventually open Fratelli Paradiso.
“When we came to Potts Point it hadn’t been gentrified. We were the only thing open at night. We had no clue about the hot areas. We weren’t bound by any parameters of what people were expecting. We lost our virginity (in a sense) and it was liberating,” says Johnny.
When the boys opened their restaurant doors in Sydney the dining scene was archaic – nobody knew about all day dining. It used to be that restaurants closed at 3.30pm and then opened again at 6pm. In the old days a true bistro would be open all day for people to eat.
Enrico: “We are set up so that it doesn’t have to be an event every time you go out. A restaurant has to nourish you and has to make you happy. That is the whole ethos of what we do.”
Six months after opening Marco came on board but this time as partner. I ask, “why Marco?”
Johnny: “Marco brings acumen to the business. If Marco wasn’t here, this place would have probably gone broke. He makes this place work. Someone could walk up to me and say ‘how much does the chef get paid?’ and I’ll say ‘I have no idea, talk to Marco.’ I have no business sense whatsoever. “
Marco: “I might be the business head but Johnny’s the creative force. He has an incredible passion for wine, and regardless of other people’s opinions, he can venture into unknown territories. Johnny has been one of the pioneers of natural wines in Sydney. He started that five years ago, before it was fashionable. He has an incredible knowledge for what kind of wine to drink at what time; for service; creation of the menu – we use the chefs purely as a vehicle for our ideas. A lot of the menu ideas comes from Johnny. Johnny is more poetic than the rest of us.”
Finally I turn to Enrico (who was half an hour late for our meeting): “Enrico what do you bring to the table?”
Enrico: “Nothing much really.”
The boys jump in protesting.
Johnny: “That’s not true. If the restaurant was to have a face it would be Enrico. People come to see Enrico.
Enrico: “That’s because I really don’t do much so I am always walking around saying ‘hi’ to everyone.”
Johnny: “Enrico has a great understanding of people – he can talk to an envelope!”
The three boys are close, Johnny and Enrico brothers and Marco their closest friend.
Marco: “We spend more time together than with our partners and kids. On occasions we get on each others nerves, but generally there is a healthy respect and we are best of mates.”
Enrico: “We are restaurant men, I admit that sometimes our partners do feel a little neglected. You are giving so much to the restaurant and to everyone that comes in so that when you go home sometimes there’s not too much more to give. That’s the contract they made when they got involved with restaurant guys. For better or for worse!”
The three of them agree that it is a super tough industry to be in – you work long hours, you drink too much, you push your body to the limits constantly. You have to have an incredible passion for food and wine to survive.
“And what about the egos?” I ask.
Marco: “Absolutely we have egos. No question about it, we fight. We fight about everything and anything. We never physically put hands on each other but we do have heated discussions. We are good at walking away and cooling off and then in about a week or two sorting it out. Usually one of us will say, ‘right I’m going to Europe for a week or two!’ When we come back together we realise that it is not important in the whole scheme of life. In the end we always look at each other and say ‘we’ve got it good’.

 

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Thursday, October 25, 2012

Harvest Time 2012 - Montalcino - La Fornace Estate


 
It is late September and Fabio has decided to risk leaving his grapes on the vine a little longer than most other producers to extract that last element of maturation.
 
 
 
Fabio Gianetti seems happy with his decision
 
 
Its been a long dry summer and production will be down but there are good signs that the grapes that are harvested will be better than last year.
 
 
 
Let the harvest begin
 
 
All the family participate in the harvest. Below is Laura, Fabio's sister who drives the tractor
 
 
 
 
 
Picking of the grapes is all by hand
 
 
 
Fabio gently unloading the freshly picked grapes into the destalker and selection tray
 
 
 
 
Grapes are destalked and sorted at the winery. Here is Fabio with his mother Germana
 
 

 
Father, Franco, seems happy with the results to date
 

 
 

 

 

And out little friends always appear at harvest time with their freshly pcked sangiovese grosso grapes
 
 
 
 


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Tuesday, August 21, 2012

Rosso Di montalcino 2010 and Brunello 2007




2010 Rosso di Montalcino

 2010 is definitely going to be recognized as a great vintage for Montalcino. The 2010 Rossi bear this out. I believe when available the 2010 brunelli will also be sensational.
2010 was characterized by a cool summer and a late harvest. The 2010 Rossi have great fruit, expressive aromatics and considerable structure. We are already securing many great Rossi  2010 for the Australian market.


2007 Brunello di Montalcino

Vintage 2007 is a great follow-up to 2006. It’s not very often that you get two great vintages together. For most growers, 2007 was a warmer overall year than 2006. Temperatures remained above average for most of year. Cooler temperatures towards the end of the growing season helped the wines maintain acidity and develop their aromatics. Overall, the 2007s are soft, silky wines that are radiant, open and highly expressive.

Many of the best 2007s come from the centre of town, where the higher altitude of the vineyards was a critical factor in achieving balance. This is the area from which our wines come and is the reason why our stocks are growing as we continue to stockpile these wonderful wines.  

In conclusion 2007 is a great follow up from the 2006 vintage. Don't expect the same for 2008, 
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Sunday, August 19, 2012

Soave



Our portfolio of Italian wines in Australia is blessed with some of the best Italian Red wines. But we were sadly lacking white wines. Our Tuscan region is not over-endowed with great white wines so we decided to go searching outside Tuscany for some.

Our search initially took us to Verona and one of Italy's great wine bars, Antica Bottega del Vino


Bottega del Vino is both a wine bar and restaurant. It is well known as having one of the most extensive (and best wine lists) in Italy.

Wonderful old vintages.



 And happy customers. Alan trying a few rosata's in the wine bar.


Where do we store all our wines?


The wonderful sommelier, Andrea, who took us under his wing and showed us a great collection of wines.


The Cantina of Bottega del Vino.


Okay Alan.....keep your hands in your pockets.


We expalined to Andrea what we were looking for..... a quality white wine from a boutique family run vineyard, typical of the style and tradition. This is one he recommended from the Portinari estate. Made from traditional Garganega we think this winemaker will be a great success in Australia.


They have three labels that we will import. Above is the Soave D.O.C. Santo Stefano 2007


Andrea and Alan discussing the opportunities in the cantina at Bottega del Vino.


Alan with Umberto (owner of Portinari) in their cantina.


The Portinari collection soon to arrive in Australia. 



The Portinari grapes maturing perfectly.

Ciaso a tutti

Carolyna e Alan
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Thursday, August 9, 2012

Villa del Cigliano - a classic villa in Chianti

One of the wines we import into Australia is from the estate of Villa del Cigliano, in the northern part of the DOCG zone for Chianti Classico, near the village of San Casciano in Val di Pesa, in the Tuscan countryside, 20 km from the centre of Florence.
.
The Villa del Cigliano has been in the Antinori family since 1500. 

The villa was built in the second half of the 1400 on exsting medieval buildings. Alessandro di Niccolò Antinori bought it at the end of that century, and it still belongs to the descendants of Eleonora Antinori, recently deceased in 2001.


The courtyard of the Villa seen above is adorned by two round majolica garlands, attibuted to Giovanni della Robbia, with the coat of arms of the Antinori and the Tornabuoni families, commemorating the wedding between Alessandro Antinori and Giovanna Tornabuoni in 1513.

 Here is Alan discussing the villa with Anna and Roberto. Anna is the daughter of Eleonora Antinori.

The main courtyard is an open loggia with three arches, now closed with the windows.




A well in the centre of the courtyard.





The beautiful lounge sitting area which has a magnificient fireplace.





The Villa has a magnificent garden enclosed by high walls. It was designed around the middle of 1600 and is shaded by a 200 year old cedar. There is also a beautiful raised pond where the stunning reflexions of the baroque facade and the towering intricatly designed Neptune fountain can be seen.



 The statue of Neptune is flanked by a satyr and a dolphin from which water flows, it ends up in the pipes at the edge of the garden. The construction of the statue dates back to the early eighteenth century, at the initiative of Vincenzo Antinori. Among the plants in the walled garden is a large cedar from Lebanon and many flowering plants that date from the late nineteenth century.

 

  

Looking back to the villa from the garden over the pond


Alan, Niccolo' (Roberto and Anna's son), Roberto and Anna enjoying a glass of Rosata in the garden.
Cigliano of course


At night, a full moon over Neptunes fountain

Ciao a tutti

Alan e Carolyna
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Saturday, July 7, 2012

Brunello in a wonderful Tuscan restaurant near Montalcino

What a pleasure it is to have that wonderful combination of good foood, great wine and a stunning ambience.

We recently had that combination in a fabulous restaurant just outside the town of Montalcino called Boccon di Vino



Run by Dad and two daughters this restaurant has the most magical views of the Val D'Orcia. Go on a warm day or balmy summer night to enjoy the al fresco dining experience.



 This is the view from your table looking out toward Siena and beyond




Wonderful ambience



And popular.... a good mix of locals and visitors

And THE WINE LIST.......here is the Biondi Santi page...is that a 1982 Riserva?


Also a great selection of Rosso di Montalcino



The ritualistic opening and glass cleansing process. Starting to get thirsty!



Ahhh, yes, the San Polo 2007 was a very good vintage from a very good winemaker



And almost forgot the food. At the end of the evening we had some aged pecorino with the brunello. A perfect combination


Ciao a tutti

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Wednesday, June 13, 2012

The best of Tuscany in Sydney

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Tuesday, June 12, 2012

We are proud to introduce a wonderful Chianti Classico and Chianti Classico Riserva into Australia.


Villa Cigliano Chianti Classico Riserva 2006 and Villa Cigliano Chianti Classico 2009 are now available in Australia through sole importer Italian Wine Importers.

The last decade has seen a improvement in the quality of Chianti Classico and these wines such as Villa del Cigliano must be regarded in the top echelon of Italian wine.

The Villa del Cigliano has been in the Antinori family since 1500. The Villa is situated in the Chianti Classico area, near the village of San Casciano in Val di Pesa, in the tuscan countryside, 20 km from the center of Florence.

It was built in the second half of the 1400 on existing medieval buildings. Alessandro di Niccolò Antinori bought it at the end of that century, and it still belongs to the descendants of Eleonora Antinori, recently deceased in 2001.





The DOCG regulations.

Not all the wine produced in the Chianti zone is Chianti Classico.
To have the right to a denomination is not sufficient. In fact, the provenance refers to a given territory but also all the rules stipulated in the production regulations must be respected. Those rules determine the conditions and the requisites that permit a wine to be decked out with the name Chianti Classico DOCG.

The rules provide for a minimum ratio of 80% for Sangiovese, the great red grape of Italy. Along with the Sangiovese, other red grapes of the area can be used in a maximum percentage of 20%. These grapes include natives like Canaiolo and Colorino as well as “international” varieties like Cabernet Sauvignon and Merlot, all recommended and/or authorized for the production zone. Among the principal sensory characteristics indicated by the production rules, there is the ruby red color that can become at times intense and profound, depending upon the wine’s origin.
The odor offers floral notes of violets and irises combined with a typical character of red fruit. The flavor is harmonious, dry and sapid with a good level of tannin that fines in time, becoming soft and velvety. Other requisites requested include a minimum alcohol level of 12 degrees for young wines and 12.5 degrees for the Riserva. Minimum net dry extract amounts to 24 g/l, while total minimum acidity is registered at 4.5 g/l. In addition, the production rules require important factors. For example, it is stipulated that the yield of grapes per hectare cannot exceed 75 quintals four years after the vines are planted and that the yield of wine from grapes cannot exceed 70% or 52.5 hectoliters per hectare. In addition, the regulations note that the processes of vinification, preservation and bottling must occur exclusively in the production zone. And the wine may not be released for consumption before October 1. Minimum required maturation for the Riserva is 24 months including three months of bottle fining.
As far as the label is concerned, the regulations contain some terms that are added to those already stipulated by the specific rules in effect in the sector. In the first place, the label must contain the indication “Chianti Classico” with the more specific identification, Denominazione di Origine Controllata e Garantita and display the year when the grapes were produced (vintage). The name of the wine can be identified in connection with that of the estate or with a brand name or it can be a fantasy name or indication of the name of the vineyard of provenance. In any case, terms like extra, fine, select, selected, superiore, old and similar may not be used.

Sangiovese, the soul of Chianti Classico

The minimum permitted ratio of Sangiovese grapes used in the production of the wine is 80%, a percentage that can rise to 100%. Sangiovese is the real soul of Chianti Classico. The Sangiovese grape is extremely sensitive to external factors, especially terrain and climate, and it is truly difficult to identify another variety that is so well able to interpret the characteristics of the soil and modify its aromas in accordance with the terrain in which the vine grows. Flowery bouquets are derived from sandy soils, while scents of wild berries are suggested by limestone and the aromas of tobacco are fresh with hints of tufa. But always, whatever may be its zone of origin, there is that scent of violets that the production regulations identify as the characterizing and specific element of Chianti Classico.

Young and Riserva Chianti Classico

In the first years of its life, Chianti Classico is odorous, fruity and rounded and the wine features a brilliant ruby red color. But Sangiovese is a grape of medium-long aging capacity and it is used in extremely high percentages or alone as is foreseen for Chianti Classico. This can result in products with big bodies and substantial complexity that can withstand many years of aging.
Naturally, various factors concur in the establishment of the final quality of the product. Seasonal conditions are of great importance. In the best vintages those conditions assure perfect and uniform ripening of the grapes. But work in the vineyard whether during cultivation or during the harvest is also vital.
Of the entire production of Chianti Classico, about 20% is now devoted to Riservas, wines with dark red colors tending to garnet and aromas of spices and wild berries. They also offer imposing structures and are elegant and velvety. The best grapes are selected at the time of the harvest for the production of Riservas. Their qualities are further enriched when they are exposed to wood during maturation. Huge casks of chestnut and oak were once used but today producers prefer containers of oak with smaller dimensions, which accelerate the evolutionary processes and permit greater transference of their aromas to the wines. The wine matures in the wood for a more or less prolonged period, depending upon the dimensions of the container. There is, then, a further pause for bottle fining before the wine is sent to the market.


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Friday, April 27, 2012

Montalcino Brunello 2007 and Rosso 2010


Antoni Galloni in the Wine Advocate of Robert Parker recently commented on the new release vintages from Montalcino.



2010 Rosso di Montalcino
As I wrote last year, 2010 is the next great vintage for Montalcino. The 2010 Rossi bear that out, as do the numerous 2010 Brunelli I tasted from cask. The year was characterized by a cold summer and a long, late harvest. The 2010 Rossi have great fruit, expressive aromatics and considerable structure to back it all up. The best 2010s are fabulous wines that deserve serious attention.


2007 Brunello di Montalcino
Vintage 2007 is a more than worthy follow-up to 2006. It’s hard to remember two consecutive vintages of this level in Montalcino. For most growers, 2007 was a warmer overall year than 2006. Temperatures remained above average pretty much the whole year, but never spiked dramatically as they did in 2003. Cooler temperatures and greater diurnal swings towards the end of the growing season helped the wines maintain acidity and develop their aromatics. Overall, the 2007s are soft, silky wines that are radiant, open and highly expressive today. My impression is that most of the wines will not shut down in bottle and that 2007 will be a great vintage to drink pretty much throughout its life. I tasted very few wines that were outright overripe or alcoholic. Many of the best 2007s come from the center of town, where the higher altitude of the vineyards was a critical factor in achieving balance. Overall, I rate 2007 just a notch below the more structured and age worthy 2006, but in exchange the 2007s will drink better earlier



In 2004 Antonio published the first issue of "Piedmont Report." Drawing on Antonio's in-depth knowledge of the region and its producers, as well as his extensive experience with older, collectible wines, "Piedmont Report" rapidly established itself as the guide of choice among lovers of Piedmont wines in over 25 countries. In 2006 Antonio began expanding his coverage to other regions in Italy when fate intervened and Robert Parker invited him to join The Wine Advocate.

Antonio has a BA from the Berklee College of Music and an MBA from the MIT/Sloan School of Management. He lives in New York City.
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Friday, March 9, 2012

Benvenuto Brunello 2012

Benvenuto Brunello is an annual event to launch the new vintage of Brunello and to nominate a rating for the vintage of the preceding year

It is a wonderful event with over 140 producers presenting their wines to the world press and to the trade and public.

Held over four days, 2012 highlighted the Brunello Riserva from 2006, the Brunello from 2007 and the rosso di Montalcino from 2010, all five star vintages.


The press on day one with their own dedicated sommeliers


Fabio from La Fornace with Carolyna


Gemma from San Carlo with Carolyna


The sitting/meeting room between the two tasting venues


Roberto from Querce Bettina with Carolyna outside the entrance to the venue



Carolyna e Alan with the President of the Consorzia, Ezio Rivella 


Patrizia from Aglieta with Carolyna


The official ceremony


The Ferragamo presentation of the 2011 vintage plaque


Mrs Ferragamo being interviewed


Together with the President placing the plaque in the vintage wall in Montalcino



The 2011 plaque

Montalcino and Brunello is such a wonderful story. Congratulations to all the fine winemakers and the Consorzia that make this story come alive
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